Maya has spent years within the Nyingma tradition of Tibetan Buddhism, training under her teacher, Chögyal Namkhai Norbu, and practicing the preliminary and tantric disciplines that accompany that lineage's transmission. Dzogchen — the Great Perfection — sits at the heart of what she encountered there: one of the most widely borrowed and least precisely understood traditions outside it, and she approaches it with the respect that years spent inside it taught her.
Dzogchen developed between the 8th and 14th centuries within Tibetan Buddhism, where it holds a central place in the Nyingma school. Its core claim is that the natural state of mind is already awake and complete — and that meditation is a way of resting in that natural awareness, rather than building something new.
What follows is her account of that view and practice, grounded in scholarship and in her own years of training — along with an honest account of where her own teaching meets Dzogchen, and where it remains its own, separate path.










